| Frederic Remington: The Truth of Other Days |
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| Directed by | Tom Neff |
| Produced by | Executive Producer: Tom Neff Producers: Madeline Bell Karl Katz Arnie Knox |
| Written by | Louise LeQuire Tom Neff |
| Narrated by | Gregory Peck |
| Starring | Gregory Peck Ned Beatty |
| Music by | John Rosasco |
| Editing by | Barry Rubinow |
| Distributed by | American Masters (PBS) |
| Release date(s) | August 5, 1991 |
| Running time | 60 minutes |
| Country | United States |
| Language | English |
Frederic Remington: The Truth of Other Days (1991) is a documentary of American Western artist Frederic Remington made for the PBS series American Masters and produced and directed by Tom Neff It was written by Neff and Louise LeQuire.[1] Actor Gregory Peck was the narrator of the film and Ned Beatty was the voice of Remington when reading his correspondence.
The documentary was produced by the Metropolitan Museum of Art, New York; NHK Corporation (Japan); and Polaris Entertainment, Nashville, Tennessee. It was the first documentary to be filmed in High Definition Television (HDTV), but at the time it was years away from high-definition television broadcasting.[2]
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This documentary of Frederic Remington reviews how the artist popularized the myths, legends, and images we now call the "Old West."
The film was filmed on location where Remington spent time, uses archival film and photographs, and has interviews with art scholars that create a framework to understand his artwork.
When the film was shown on PBS, Walter Goodman, television critic for The New York Times, liked the film, and wrote, "In these multi-cultural times, it may not come as unadulterated praise to credit someone with defining America's vision of the Old West, but Frederic Remington: The Truth of Other Days illuminates the artist's achievement without subjecting it to a test for political correctness. Setting Remington's paintings and sculptures against his own words, crisply delivered by Ned Beatty, the hourlong American Masters documentary, tonight at 9 on Channel 13, shows and tells how the Easterner helped create a Western myth that has not yet lost its power...Attention is drawn especially to the way the massed figures move on both canvas and screen, from upper right to lower left. Big men in a landscape of big nature was a steady theme of both the movie maker and the painter."[3]
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